Shape Notes, Gospels and Spirituals: Rediscovering Spirituality in the 21st Century

Authors

  • Irena Přibylová Masaryk University

Keywords:

American music, gospel, spirituals, Sacred harp songs, shape notes, perception of American sacred music

Abstract

Spirituals, gospels and Sacred harp songs (recorded on paper with the help of specific form of shape notes) represent a strong 19th century American cultural tradition. Their lyrics contributed to the originality of the independent American literature. In the 20th century, these songs left Church environment and made themselves at home in popular culture too. In the Czech lands, their acceptance was given mainly thanks to the strong rhythm and emotional performance. The Czech Republic is a post-communist country with the highest percentage of atheists. Despite that, Czechs like sacred music, especially American spirituals and gospels. In the following lines I would like to show where modern roots and limits of this interest are and what challenges the Czechs have had in facing the perception of American sacred music after 1989.

References

Eskew, Harry and James C. Downey. “Shape-note hymnody.” Grove Music Online. Oxford Music Online. [accessed 27 Oct. 2008], available at: <http://www.oxfordmusiconline.com/subscriber/article/grove/ music/25584>.

Monroe, Bill. “Mansions for Me”, 3:15, performed by Bill Monroe and the Blue Grass Boys, from CD Bill Monroe and his Blue Grass Boys 1945-1949, Columbia Legacy/Sony Music CK52479, 1992.

Southern, Eileen. The Music of Black Americans. A History. New York and London: Norton, 1971, 2nd. ed. 1983.

Tindley, Charles A. “Stand By Me”, 3:21, performed by Lou Bell Johnson, from CD African American Gospel: The Pioneering Composers, Volume III, Smithsonian/Folkways 40074, 1994.

Trad. “Joshua Fit de Battle”, 2:21, performed by the Fisk Jubilee Singers, from CD African American Spirituals: The Concert Tradition, Volume I, Smithsonian/Folkways 40072, 1994.

Trad. “Death’s Black Train Is Coming”, 3:11, performed by Reverend J.M. Gates. From CD Roots N‘ Blues (1925-1950), Disk 1, Columbia Legacy/Sony Music CK 47912, 1992.

Trad. “Winter”, 0:52, performed by Tony Trischka and Norhampton Harmony, from CD Tony Trischka: Glory Shone Around: A Christmas Collection, Rounder 0354, 1995.

Trad. “Down to the River to Pray”, 2:53, performed by Alison Krauss, from CD Soundtrack O Brother, Where Art Thou?, Mercury 170-069-2, 2000.

Trad., arr. by Tim Eriksen “I’m Going Home”, 2:30, performed by Sacred Harp Singers at Liberty Church, from CD Music from the Miramax Motion Picture Cold Mountain, DMZ/Columbia/ Sony Music Soundtrax CK 86843, 2003.

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Published

2008-12-10

How to Cite

Přibylová, I. (2008). Shape Notes, Gospels and Spirituals: Rediscovering Spirituality in the 21st Century. American & British Studies Annual, 1, 59–65. Retrieved from https://absa.upce.cz/index.php/absa/article/view/2128

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Section

Articles