Bridging Gulfs in Life and Literature: Henry Green and the Process of “Going Over”

Authors

  • Karolina Kolenda Jagiellonian University

Keywords:

Henry Green, Living, Party Going, Pack My Bag: A Self-Portrait, modernism, realism, going over, artistic identity

Abstract

Henry Green, a writer whose works were published between 1926 and 1952, has been traditionally regarded as standing between the two traditions that dominated in the literary landscape of the 1930s and 1940s in Britain, namely modernism and (new) realism. The debate on Green as either an experimental modernist or socially-engaged leftist realist has led to the production of an image of an artist (writer) whose position in the canon of British literature of this period is fascinating, yet highly problematic. Focusing on selected prose of Henry Green, namely Living (1929), Party Going (1939) and Pack My Bag: A Self-Portrait (1940), this paper discusses the ways the subject of an a writer is negotiated through on the one hand the subversion of established literary traditions, and on the other through the active engagement in the social problems performed in the act of “going over”.

References

Allen, Walter. “An Artist of the Thirties.” Folios of New Writing 3 (Spring 1941): 151. Auden, W.H. and John Garrett, eds. The Poet’s Tongue. London: Bell, 1935.

Caudwell, Christopher. Romance and Realism. A Study in English Bourgeois Literature. edited by Samuel Hynes. Princeton: Princeton University Press, 1970.

Connolly, Cyril. Enemies of Promise. London: Routledge, 1938.

Cornford, John. “Left?” John Cornford: A Memoir, edited by Pat Sloan. Dunfernline: Borderline, 1939.

Cunningham, Valentine. British Writers of the Thirties. Oxford: Oxford University Press, 1989.

Dennis, Nigel. “The Double Life of Henry Green.” Life, 4 August 1952.

Foster, Thomas C. “Henry Green.” Review of Contemporary Fiction, 20 (2000): 7-41.

Gibson, Andrew. “Henry Green as Experimental Novelist.” Studies in the Novel 2 (1984): 197-214.

Green, Henry. Living. London: Vintage, 2005.

Green, Henry. “A Novelist to his Readers.” Listener, 9 Nov. (1950): 506.

Green, Henry. Pack My Bag: A Self-Portrait. London: Vintage, 2000.

Kermode, Frank. The Genesis of Secrecy: On the Interpretation of Narrative. London: Harvard University Press, 1979.

MacDermott, Patrick. A Convergence of the Creative and the Critical: A Reading of the Novels of Henry Green. Bern: Peter Lang, 2009.

Malraux, André. “The Path to Humanism.” New Writing 1 (Autumn 1938).

Melchiori, Giorgio. The Tightrope Walkers: Studies of Mannerism in Modern English Literature. London: Routledge and Kegan Paul, 1956.

Orwell, George. The Road to Wigan Pier. London: Left Book Club, 1937.

Sosnowski, Andrzej. “Introducing Nothing (Henry Green).” Najryzykowniej. Wrocław: Biuro Literackie, 2007.

Spender, Stephen. The Struggle of the Modern. London: Methuen, 1963.

Wipf-Miller, Carol A. “Fictions of ‘Going Over’: Henry Green and the New Realism.” Twentieth Century Literature 44 (1998): 135.

Downloads

Published

2011-11-24

How to Cite

Kolenda, K. . (2011). Bridging Gulfs in Life and Literature: Henry Green and the Process of “Going Over”. American & British Studies Annual, 4, 33–44. Retrieved from https://absa.upce.cz/index.php/absa/article/view/2187

Issue

Section

Articles