History matters (?) Various Ways of Looking at History in Graham Swift’s Waterland
Keywords:
history, identity, narrative, amnesia, curiosity, postmodernismAbstract
The paper focuses on how history is dealt with in Waterland, one of Graham Swift’s best-known novels. Even though the novel is not a pamphlet on the philosophy of history, it however explores the many ways in which history is indispensable for people in their endeavors to make sense of their past and their identity. However, Waterland presents different views of history and story-telling, which are often opposite and undermine one another. The paper will discuss how the novel, at times, suggests that tracing and reconstructing the past is a possible and objective activity, while, at other times, seeming to side with the idea that the past cannot be retrieved and that History is but an arbitrary ordering and construction of facts from the past, which are in themselves disorderly and structureless. In this regard, the novel has often been considered as taking part in the postmodernist debate about the truth in History. The article also deals with the contradictory perspective of History explored in Swift’s novel: that of History as a “Grand Narrative” of Progress and the opposite view of History as cyclical and regressive.
References
Berlatsky, Eric. “‘The Swamps of Myth … And Empirical Fishing Lines’: Historiography, Narrativity, and the ‘Here and Now’ in Graham Swift’s ‘Waterland’”. Journal of Narrative Theory 36, no. 2 (Summer, 2006): 254–292.
Bradbury, Malcolm. The Modern British Novel. Penguin, 1994.
Davies, Martin L. Historics: Why History Dominates Contemporary Society. London and New York: Routledge, 2006.
Davies, Martin L. Imprisoned by History. London and New York: Routledge, 2010.
Fehér, Ferenc, ed. The French Revolution and the Birth of Modernity. Berkeley: University of California Press, 1990.
Gaddis, John Lewis. The Landscape of History: How Historians Map the Past. Oxford: Oxford UP, 2002.
Higdon, David Leon. “Double Closures in Postmodern British Fiction: The Example of Graham Swift.” Critical Survey 3, no. 1 (1991): 88–95.
Hutcheon, Linda. A Poetics of Postmodernism. New York and London: Routledge, 1988.
James, William. Principles of Psychology, Volume I. New York: Cosimo, 2007. (retrieved from www.books.google.al, 11.04.2016)
Janik, Del Ivan. “‘History and the ‘Here and Now’: The Novels of Graham Swift”. Twentieth Century Literature 35, no. 1 (Spring, 1989): 74–88.
Kucała, Bożena. “Ignorance Is Strength: Kazuo Ishiguro’s and Graham Swift’s Argument against Knowledge.” American & British Studies Annual 8 (2015): 74–83.
Landow, George P. “History, His Story, and Stories in Graham Swift’s Waterland”. Studies in the Literary Imagination 23, no. 2 (Fall, 1990): 197–211.
Malcolm, David. Understanding Graham Swift, South Carolina: University of South Carolina Press, 2003.
Nietzsche, Friedrich. The Use and Abuse of History. Translated by Adrian Collins. In Thoughts Out of Season, vol. 5 of The Complete Works of Friedrich Nietzsche, edited by Oscar Levy. 1909. Reprinted. New York: Macmillan, 1927.
Swift, Graham. “Interview by Patrick McGrath and Patricia McGrath.” Bomb 15 (Spring, 1986): 44–47. Accessed March 15, 2018, https://bombmagazine.org/articles/graham-swift-1/.
Swift, Graham. Waterland. Basingstoke and Oxford: Picador, 2002.
Tosh, John. The Pursuit of History. London: Longman, 2002.