A Transgressive Figure or a Puppet of the Patriarchy? The Action Heroine in Atomic Blonde

Authors

  • Dida Syarifa Nursyamsi Hilman Airlangga University
  • Dadung Ibnu Muktion Airlangga University

Keywords:

action heroine, female masculinity, femininity, hypersexualization, masculinity

Abstract

Although women’s empowerment has progressed, various media products still represent women in a negative light. They are commonly stereotyped and shown as sexual objects in these media products. Nonetheless, major breakthroughs have been made in the action film genre. Female action heroes have begun to be represented as transgressive women who oppose the patriarchal notion that masculine qualities are exclusively for men. The film Atomic Blonde features a lead action heroine and presents her as a strong woman who embodies characteristics of both masculinity and femininity. This study aims to discover how this heroine is represented in this action film. A qualitative approach with narrative and non-narrative analysis was applied to conduct this study. In doing so, the writers used Judith Halberstam’s theory of female masculinity that scrutinizes performances of masculinity by female subjects. The theory of gender, sexuality, and toughness by Jeffrey Brown was also employed to examine the aforementioned aspects of action heroines. One research finding is that despite being characterized as a powerful and tough woman, this action heroine is still subjected to hypersexualization and subordination. It demonstrates that regardless of how much power an action heroine possesses, she is still bounded by the patriarchy.

References

Arons, Wendy. “‘“If Her Stunning Beauty Doesn’t Bring You to Your Knees, Her Deadly Drop Kick Will”’: Violent Women in the Hong Kong Kung Fu Film.” In Reel Knockouts: Violent Women in the Movies, edited by Martha McCaughey and Neal King, 1st ed., 27–51. Austin: University of Texas Press, 2001.

Bernthal, J. C. “Femininity and Masquerade.” In Queering Agatha Christie, 121–159. London: Palgrave Macmillan, 2016. https://doi.org/10.1007/978-3-319-33533-9.

Boncori, Ilaria. “Mission Impossible: A Reading of the after-Death of the Heroine.” Culture and Organization 23, no. 2 (March 15, 2017): 95–109. ttps://doi.org/10.1080/14759551.2016.1206548.

British Film Institute. “Audiences.” London, 2017.

Brown, Jeffrey A. Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular Culture. 1st ed. University Press of Mississippi, 2011.

Corrigan, Timothy, and Patricia White. The Film Experience: An Introduction. 3rd ed. Boston: Bedford/St. Martin’s, 2012.

Dawn, Randee. “Screenwriters on Nailing That All-Important Opening Scene.” Variety, 2020. https://variety.com/2020/film/awards/screenwriters-first-scene-lena-waithe-greta-gerwig-noah-baumbach-1203456297/.

Dwiyanti, Fiana. “Pelecehan Seksual Pada Perempuan Di Tempat Kerja (Studi Kasus Kantor Satpol PP Provinsi DKI Jakarta).” Jurnal Kriminologi Indonesia 10, no. 1 (2014): 29–36.

England, Dawn Elizabeth, Lara Descartes, and Melissa A. Collier-Meek. “Gender Role Portrayal and the Disney Princesses.” Sex Roles 64, no. 7–8 (2011): 555–567. https://doi.org/10.1007/s11199-011-9930-7.

Fehrman, Kenneth R., and Cherie Fehrman. Color: The Secret Influence. 2nd ed. New Jersey: Pearson Prentice Hall, 2004.

Giannetti, Louis. Understanding Movies. 11th ed. New Jersey: Pearson Prentice Hall, 2007.

Gopalan, Lalitha, Terri Francis, Chris Jones, Mark Joyce, Searle Kochberg, Lawrence Napper, Jill Nelmes, et al. Introduction to Film Studies, edited by Jill Nelmes. 5th ed. Oxon: Routledge, 2012.

Halberstam, Judith. Female Masculinity. 1st ed. Durham: Duke University Press, 1998.

Heldman, Caroline, Laura Lazarus Frankel, and Jennifer Holmes. “Hot, Black Leather, Whip: The (De)Evolution of Female Protagonists in Action Cinema, 1960-2014.” Sexualization, Media, and Society 2, no. 2 (2016): 1–19. https://doi.org/10.1177/2374623815627789.

Hills, Elizabeth. “From ‘Figurative Males’ to Action Heroines: Further Thoughts on Active Women in the Cinema.” Screen 40, no. 1 (1999): 38–50. https://doi.org/10.1093/screen/40.1.38.

IMDb. “Atomic Blonde,” 2017. http://www.imdb.com/title/tt2406566/.

Inness, Sherrie A. ACTION CHICKS: New Images of Tough Women in Popular Culture. 1st ed. New York: Palgrave Macmillan, 2004. https://doi.org/10.1057/9781403981240.

Kearney, Mary Celeste. “Tough Girls in a Rough Game: Televising the Unruly Female Athletes of Contemporary Roller Derby.” Feminist Media Studies 11, no. 3 (2011): 283–301. https://doi.org/10.1080/14680777.2010.535309.

Knight, Gladys L. Female Action Heroes: A Guide to Women in Comics, Video Games, Film, and Television. 1st ed. Santa Barbara: Greenwood, 2010.

Lauzen, Martha M. “It’s a Man’s (Celluloid) World: On-Screen Representations of Female Characters in the Top 100 Films of 2014.” On-Screen Representations. San Diego, 2015.

Mace, Christine. “Fashion or Porn?: The Hyper-Sexualization of Western Culture and the Commodification of Sex.” Parsons The New School for Design, 2012.

Marshment, Margaret. “The Picture Is Political: Representation of Women in Contemporary Popular Culture.” In Introducing Women’s Studies, edited by Victoria Robinson and Diane Richardson, 2nd ed., 125–151. Hampshire: Macmillan Press Ltd, 1997.

Monro, Fiona, and Gail Huon. “Media-Portrayed Idealized Images, Body Shame, and Appearance Anxiety.” International Journal of Eating Disorders 38, no. 1 (2005): 85–90. https://doi.org/10.1002/eat.20153.

Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Screen 16, no. 3 (1975): 6–18. https://doi.org/10.1093/screen/16.3.6.

Newton, Judith. “Feminism and Anxiety in Alien.” In Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema, edited by Annette Kuhn, 1st ed., 82–90. New York: Verso, 1990.

Nguyen, Athena. “Patriarchy, Power, and Female Masculinity.” Journal of Homosexuality 55, no. 4 (2008): 665–683. https://doi.org/10.1080/00918360802498625.

O’Malley, Katie. “‘Atomic Blonde’ Stunt Double On The One Thing That Makes Charlize Theron A Badass Fighter.” Elle, 2017. https://www.elle.com/uk/life-and-culture/culture/news/a37508/atomic-blonde-stunt-double-monique-ganderton/.

Park, Jane Chi Hyun. “Fighting Women in Contemporary Asian Cinema: The Celebration of the Inauthentic in My Wife Is a Gangster and Chocolate.” Cultural Studies, 2013. https://doi.org/10.1080/09502386.2012.738670.

Purvis, Tony. Get Set for Media and Cultural Studies. 1st ed. Edinburgh: Edinburgh University Press, 2006.

Raja, Tasneem. “The Secret History of CIA Women – Mother Jones.” Mother Jones, 2013. https://www.motherjones.com/politics/2013/11/women-cia-history-sexism/.

Rico, Antonieta. “Military Women Are Too Often Sexually Harassed and Assaulted | Time.” Time, 2017. http://time.com/5060570/military-women-sexual-assault/.

Roth, Amanda, and Susan A. Basow. “Feminity, Sports, and Feminism: Developing a Theory of Physical Liberation.” Journal of Sport and Social Issues 28, no. 3 (2004): 245–265. https://doi.org/10.1177/0193723504266990.

Saavedra, Luísa, Alexandra M. Araújo, João Manuel de Oliveira, and Christine Stephens. “Looking through Glass Walls: Women Engineers in Portugal.” Women’s Studies International Forum 45 (2014): 27–33. https://doi.org/10.1016/j.wsif.2014.04.005.

Schubart, Rikke. Super Bitches and Action Babes: The Female Hero in Popular Cinema. 1st ed. Jefferson: McFarland & Company, Inc. Publishers, 2007.

Shifman, Limor, and Dafna Lemish. “‘Mars and Venus’ in Virtual Space: Post-Feminist Humor and the Internet.” Critical Studies in Media Communication 28, no. 3 (2011): 253–73. https://doi.org/10.1080/15295036.2010.522589.

Spade, Joan Z., Catherine G. Valentine, and Mary Nell Trautner. The Kaleidoscope of Gender: Prisms, Patterns, and Possibilities. 6th ed. SAGE Publications, Inc, 2019.

Wheelwright, Julie. “The Language of Espionage: Mata Hari and the Creation of the Spy-Courtesan.” In Languages and the First World War: Representation and Memory, 1st ed., 164–177. London: Palgrave Macmillan, 2016.

White, Rosie. Violent Femmes: Women as Spies in Popular Culture. The Washington Monthly. 1st ed. Oxon: Routledge, 2007.

Wright, Andrea. “A Sheep in Wolf ’s Clothing? The Problematic Representation of Women and the Female Body in 1980s Sword and Sorcery Cinema.” Journal of Gender Studies 21, no. 4 (2012): 401–411. https://doi.org/10.1080/09589236.2012.681183.

Wright, Tessa. “Women’s Experience of Workplace Interactions in Male-Dominated Work: The Intersections of Gender, Sexuality and Occupational Group.” Gender, Work and Organization 23, no. 3 (2016): 348–362. https://doi.org/10.1111/gwao.12074.

Zeglin, Robert J. “Portrayals of Masculinity in ‘ Guy Movies ’: Exploring Viewer – Character Dissonance.” Journal of Men’s Studies 24, no. 1 (2016): 42–59. https://doi.org/10.1177/1060826515624390.

Downloads

Published

2020-12-07

How to Cite

Hilman, D. S. N. ., & Muktion, D. I. . . (2020). A Transgressive Figure or a Puppet of the Patriarchy? The Action Heroine in Atomic Blonde. American & British Studies Annual, 13, 119–133. Retrieved from https://absa.upce.cz/index.php/absa/article/view/2345

Issue

Section

Articles