The Untrue Island Re-visited: Three Encounters with Orford Ness
DOI:
https://doi.org/10.46585/absa.2025.18.2784Keywords:
Orford Ness; island space; Robert Macfarlane; Polly Crosby; ecocriticismAbstract
The present paper deals with three texts inspired by the topography and secretive military history of the East Anglian offshore shingle spit Orford Ness. Each may be considered a specific example of a hybrid genre. The first part presents Robert Macfarlane’s Ness (2019) as an explicitly eco-centric and experimental poetic response to this unique territory. The poem’s five “more-than-human forms” are related to the notions of haecceities, the smooth space, Aeon, and the concept of rhizomes in Deleuze and Guattari’s A Thousand Plateaus. The latter part of this article focuses on Polly Crosby’s fictional island Dohhalund from her second novel, The Unravelling (2022). Though this novel is referred to as a historical mystery, it clearly does not represent the traditional whodunit genre. First, the treatment of Orford Ness in Crosby’s text will be confronted with another hybrid of a book, W. G. Sebald’s Rings of Saturn (1995), a novel acknowledged by Crosby as a major influence. The final section shifts focus to Crosby’s island setting as a site of transformation, offering a surprisingly non-anthropocentric perspective comparable to that of Macfarlane’s Ness.
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