The Pit as a Sacrifice Zone: Environmental Injustice in Jesmyn Ward’s Salvage the Bones
DOI:
https://doi.org/10.46585/absa.2026.19.2814Keywords:
Environmental injustice, Hurricane Katrina, Ecofeminism, Disposability, Slow violence, Jesmyn WardAbstract
This study explores Jesmyn Ward’s novel Salvage the Bones (2011) through an ecocritical and ecofeminist lens, with a focus on the critique of environmental and social injustice in the American South preceding and following Hurricane Katrina in 2005. By exploring Esch’s experience during Hurricane Katrina, the literary analysis highlights the intersection of environmental racism, animalization or dehumanization, as well as the politics of disposability. Central to this discussion is the symbolic significance of “the Pit,” the land of Esch and her family, and its connection to the historical and ongoing exploitation of the marginalized community in Bois Sauvage and in the American South as such. The article also employs ecofeminist and ecocritical perspectives to investigate Esch’s journey as a young African American woman, emphasizing her resilience and agency amidst neglect and dehumanization.
References
Adamson, Joni, and Scott Slovic. “Guest Editors’ Introduction: The Shoulders We Stand On: An Introduction to Ethnicity and Ecocriticism.” MELUS: Multi-Ethnic Literature of the U.S. 34, no. 2 (2009): 5–24. <https://doi.org/10.1353/mel.0.0019>.
Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life. Translated by Daniel Heller-Roazen. Stanford University Press, 1998.
Big Freedia. God Save the Queen Diva! Gallery Books, 2015.
Brown, Holly Cade. “Figuring Giorgio Agamben’s ‘Bare Life’ in the Post-Katrina Works of Jesmyn Ward and Kara Walker.” Journal of American Studies 51, no. 1 (2016): 1–19. <https://doi.org/10.1017/s0021875816000566>.
Chen, Mel Y. Animacies: Biopolitics, Racial Mattering, and Queer Affect. Duke University Press, 2012. <https://doi.org/10.2307/j.ctv11vc866>.
Claborn, John. “From Black Marxism to Industrial Ecosystem: Racial and Ecological Crisis in William Attaway’s Blood on the Forge.” Modern Fiction Studies 55, no. 4 (2009): 566–595.
Coby, Jim. “Rural Spaces and (In)Disposable Bodies in Jesmyn Ward’s Salvage the Bones.” In Representing Rural Women, edited by Lexington Books, 132–157, 2019.
Crownshaw, Richard. “Agency and Environment in the Work of Jesmyn Ward Response to Anna Hartnell, ‘When Cars Become Churches.’” Journal of American Studies 50, no. 1 (2016): 225–230. <http://www.jstor.org/stable/44162981>.
Crownshaw, Rick. “A Natural History of Testimony?” In The Future of Testimony: Interdisciplinary Perspectives on Witnessing, edited by Jane Kilby and Antony Rowland, 160–76. Routledge, 2014.
Gaard, Greta. “Toward a Queer Ecofeminism.” Hypatia 12, no. 1 (1997): 114–137. <http://www.jstor.org/stable/3810254>.
Giroux, Henry A. “The Politics of Disposability.” McMaster University. <https://www.humanities. mcmaster.ca/~girouxh/online_articles/Pol_Disposibility.htm>.
Gudmarsdottir, Sigridur. “Rapes of Earth and Grapes of Wrath: Steinbeck, Ecofeminism and the Metaphor of Rape.” Feminist Theology 18, no. 2 (2010): 206–222.
Haraway, Donna. The Companion Species Manifesto: Dogs, People, and Significant Otherness. Prickly Paradigm Press, 2003.
Hoover, Elizabeth. “Jesmyn Ward on Salvage the Bones.” The Paris Review, August 30, 2011. <https://www.theparisreview.org/blog/2011/08/30/jesmyn-ward-on-salvage-the-bones/>.
Jones-DeWeever, Avis A., and Heidi Hartmann. “Abandoned Before the Storms: The Glaring Disaster of Gender, Race, and Class Disparities in the Gulf.” In There Is No Such Thing as a Natural Disaster: Race, Class, and Hurricane Katrina, edited by Chester Hartman and Gregory D. Squires. Routledge, 2006.
Lenthang, Marlene. “How New Orleans Handled Hurricane Ida After Post-Katrina Changes.” ABC News, September 3, 2021. <https://abcnews.go.com/US/orleans-handled-hurricane-idapost-katrina/story?id=79743061>.
Lerner, Steve. Sacrifice Zones: The Front Lines of Toxic Chemical Exposure in the United States. MIT Press, 2010.
Lloyd, Christopher. Corporeal Legacies in the US South: Memory and Embodiment in Contemporary Culture. Palgrave Macmillan, 2019.
McLeman, Robert A., et al. “What We Learned from the Dust Bowl: Lessons in Science, Policy, and Adaptation.” Population and Environment 35, no. 4 (2014): 417–40. <https://doi.org/10.1007/s11111-013-0190-z>.
Murphy, Dwyer. “Jesmyn Ward: Beating the Drum.” Guernica, March 17, 2014. .
Nixon, Rob. Slow Violence and the Environmentalism of the Poor. Harvard University Press, 2011.
Railsback, Brian. “A Twenty-First-Century Grapes of Wrath: Jesmyn Ward’s Salvage the Bones.” Steinbeck Review 13, no. 2 (2016): 179–95. <https://muse.jhu.edu/article/640920>.
Sawyer, Angela Sue. “Comfort the Waste Places, Defend the Violated Earth: An Ecofeminist Reading of Isaiah 51:1–52:6 and Tracy Chapman’s Song ‘The Rape of the World.’” Journal of Religion, Film and Media 6, no. 2 (2020): 21–33. <https://doi.org/10.25364/05.6:2020.2.2>.
Van Dyk, Leah. “Salvaging Vulnerabilities: Climate Crisis and Marginalised Bodies in Jesmyn Ward’s Salvage the Bones.” In Jesmyn Ward: New Critical Essays, edited by Sheri-Marie Harrison, Arin Keeble, and Maria Elena Torres-Quevedo, 95–109. Edinburgh University Press, 2023. <https://doi.org/10.1515/9781399510639-008>.
Ward, Jesmyn. Salvage the Bones. Bloomsbury, 2011.
Ward, Jesmyn, and Tracie D. Hall. “Navigate Your Stars: Jesmyn Ward in Conversation with Tracie D. Hall.” Online event, hosted by Lake Forest Library, June 15, 2023. <https://www.lakeforestlibrary.org/event/navigate-your-stars-conversation-jesmyn-ward>.
Williams, Delores S. “Sin, Nature, and Black Women’s Bodies.” In Ecofeminism and the Sacred, 24–29. 1995.
Yaeger, Patricia. Dirt and Desire: Reconstructing Southern Women’s Writing, 1930-1990. University of Chicago Press, 2000.
Žižek, Slavoj. Violence: Six Sideways Reflections. Picador, 2008.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Karla Rohová

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
