Vol. 14 (2021)

Articles

• Julian Barnes’s The Only Story – Within and Beyond the Author’s Idiosyncrasies

  Petr Chalupský

  9-23

  • pdf

• Transculturalizing Space in Arab Diasporic Poetry: A Spatial Study of Naomi Shihab Nye’s Poetry Collection Transfer

  Eman K. Mukattash

  24-40

  • pdf

• Free To Be… You and Me: the Best-Selling Record and Popular Show Which Made America Rethink Gender Stereotypes

  David Livingstone

  41-51

  • pdf

• Doors Half-Open in Bluebeard’s Castle: George Steiner and His Heretical Essays in Modern Times

  Michal Kleprlík

  52-63

  • pdf

• Sir Philip Sidney and the Kingdom of Bohemia: the Correspondence and Friendship of Philip Sidney and Thomas Jordanus von Klausenburg

  Šárka Dziurová

  64-76

  • pdf

• “The world is in Amsterdam”: Amsterdam, the Netherlands, and the Dutch in Guinevere Glasfurd’s The Words in My Hand

  Lenka Žárská

  77-93

  • pdf

• Maternal Thinking in Doris Lessing’s The Golden Notebook: An Analysis of Impossibility

  Brigita Miloš, Dubravka Dulibić-Paljar

  94-107

  • pdf

• The Language of Images in Technologically Modified Environments

  Václav Řeřicha, Libor Práger

  108-117

  • pdf

• The Dangers of Intimacy: The Importance of Metacognition in Junot Díaz’s “How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie"

  Brad Vice

  118-132

  • pdf

• Mirror, Mirror: Framing the Story of Snow White

  Alena Gašparovičová

  133-141

  • pdf

• Brick and Mortar Dreams and Nightmares: a Historical Look at the Role of Home Ownership in Britain

  Alice Tihelková

  142-153

  • pdf

• When Tubal Tells The Merchant of Venice as Jessica’s Story: Clive Sinclair’s “Shylock Must Die”

  Petr Anténe

  154-161

  • pdf